As you learn more about how music work you will have a better understanding for why one choice might be better than another in an analysis. It is often possible to interpret passages in different ways and come up with different answers. Analyzing Seventh Chords in MusicĪs with triads, analyzing music with seventh chords requires decision making and attention to detail. So, when analyzing music and labeling seventh chords, make sure to consider the genre of the music. In other genres, like jazz and popular music that evolved later in history, the 7th of the chord is used freely, both in how it is approached and resolved. If the 7th chord is not approached and resolved properly, it is considered a non-chord tone. It is approached by step or as a common tone from the previous chord. In classical music, the 7th of a seventh chord is a tendency tone that always resolves down by step. They eventually evolved and were considered part of chords, but the dissonant 7th of the chord was still carefully approached and resolved. In classical music, seventh chords started as non-chord tones. The musical genre used will also determine whether or not something can be called a seventh chord. When deciding whether or not a chord is a seventh chord, the first step is to make sure it qualifies as one of the 5 types of seventh chords we use in tonal music: MM7, Mm7, mm7, 7, or ˚7. Determining whether or not something is a 7th chord Accidentals go to the left of the full chord, so should not be inserted between chord members in the middle of a chord. When writing notes that have accidentals on the staff, make sure to put the accidental on the line or space the corresponds with the altered note. Common Mistakes Made When Notating Chords Inversions add variety and interest to the music and can help expand the phrase. Like triads, seventh chords become more unstable the farther they get from root position. Inversions keep the music moving forward because they are less stable than root position chords. Inversions add interest and smoothness to the melodic character of the bass line.
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